Akhenaten Temples
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Akhnenaten was second son and successor to Amenhotep III. He spent the first five years of his reign in Thebes, and he favored the sun shrine characteristic of the Heliopolitan center of solar worship, which featured open courts on a central axis. Smaller stones were used which a single man could carry. Tens of thousands of these in the best sandstone were quarried at Gebel el-Silsila, about 100 km south of Thebes.
These small blocks were recycled later as the sun temples were reduced, and used as fill or foundation in walls and pylons of the 19th Dynasty. Some have been found in Horemheb’s Pylons II and IX at the Amun temple at Karnak, as foundation blocks beneath the hypostyle hall of the Amun temple, and in Ramesses II’s pylon and outbuildings in the Luxor temple. Some survived to be used as late as the reign of Nectanebo I, and some turned up at Medamud in Ptolemaic period constructions.
Akhenaten erected four major structures at Karnak during the first five years of his reign. The major building was called "the Sun-disk is Found", built in anticipation of the jubilee; then there were the "Exalted are the monuments of the Sun-disc", and "Sturdy are the movements of the Sundisk." The smallest of the four was theHwt-bnbn, "Mansion of the benben stone". A Hwt-itn, "Mansion of the Sun-disk", mentioned in tombs on the west bank, has not as yet turned up in the scenes on these blocks.
Only one of the four structures has been located and partly excavated. The main Aten temple was built to the east of Karnak. From the center of its western side ran a columned corridor 12 feet wide that led west to connect with the 18thDynasty royal palace which lay just north of Pylons IV, V and VI of the Amun temple. There were probably life-size statues made of red quartzite representing the king, arms crossed, though other statues may have included the queen as well. Reliefs show the king with one arm outstretched and being caressed by the rays of the sun-disc.
In the Aten temple, the consistent theme was the celebration of the jubilee, orheb-sed. Scenes in the entrance corridor coming from the palace show the approach of the royal party, courtiers kissing the earth, men dragging bulls, etc. Turning right along the west wall, to the southwest corner and then east along the south wall, are reliefs depicting the ritual of the "Days of the White Crown," when the king made offerings dressed as the monarch of Upper Egypt. It is presumed that similar scenes were depicted showing the King in the same ritual for the Red Crown and Lower Egypt.
The Hwt-bnbn, though to-date not found, is reconstructed in the scenes on the blocks featuring tall graceful pylons and walls. But the identity of the celebrant of the offering to the sun-disc is not Akhenaten, but instead, his wife Nefertiti.
The relief decorations of the two temples called "Exalted are the monuments of the Sun-disc," and "Sturdy are the movements of the Sundisk," both structures also as-yet undiscovered, show domestic apartments, rewarding of officers, and other scenes from domestic life.
After the fifth year of his reign, Akhenaten moved from Thebes to Amarna, the new city he had built, and work on Karnak ceased. The name of Amun was obliterated throughout Karnak and the Theban area. |
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Plant Island, Gizirat al-Nabatat, Botanical Island
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Kitchner's Island is a botanical garden, filled with exotic plants and trees imported from all over the world. It is a perfect place to spend a lazy afternoon in the shade. The island must be reached by boat, and is located on the other side of Elephantine Island from Aswan. The Island was given to Lord Kitchner for his campaigns in the Sudan, and he moved their and created his garden, importing plants and trees from all over the world. Today, the Egyptian government operates this popular tourist destination. |
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Location : Aswan, Egypt
Description :
Philae Temple was dismantled and reassembled (on Agilika Island about 550 meters from its original home on Philae Island) in the wake of the High Dam. The temple, dedicated to the goddess Isis, is in a beautiful setting which has been landscaped to match its original site. It's various shrines and sanctuaries, which include The Vestibule of Nectanebos I which is used as the entrance to the island, the Temple of the Emperor Hadrian, a Temple of Hathor, Trajan's Kiosk (Pharaohs Bed), a birth house and two pylons celebrate all the deities involved in the Isis and Osiris myth. The Victorian world fell in love with the romance of the Temple. But at night you can also visit the Sound and Light Show, a magical experience as floodlit buildings are silhouetted against the volcanic rocks and water surrounding them. So today, Philae is more fun then every before. |
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Although antiquities on the island date between the 26th Dynasty and the Roman Period, most of the work is from that of the Roman. This was a time of immense popularity of the Goddess Isis, and this was her island, where pilgrims would come from all over the Mediterranean. Construction on the island took place over an 800 year span, and it was one of the last strongholds of Ancient Egyptian Religion which continued to flourish here into the 6th Century. When the Temples where finally closed by Justinian in A.D 550, it ended 4,000 years of worship of the pagan gods.
The Philae Temple complex, prior to its removal and restoration, set alongside Biga Island. To the ancient Egyptians, Biga was the sacred mound, the first ground created from Nun out of Chaos. This was the legendary burial place of Osiris. The earth was considered to be part of his body so that only priests and temple servants were permitted to live there. |
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Catacombs of Kom El-Shouqafa
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These tombs were tunneled into the bedrock in the age of the Antonine emperors (2nd century A.D.)for a single wealthy family still practicing the ancient religion. As a privately financed project, it is an engineering feat of some magnitude. These tombs represent the last existing major construction for the sake of the old Egyptian religion. They are alone worth the trip to Alexandria. Though the funerary motifs are pure ancient Egyptian, the architects and artists were schooled in the Greco-Roman style. Applied to the themes of Ancient Egyptian religion, it has resulted in an amazing integrated art, quite unlike anything else in the world.
A winding staircase descends several levels deep into the ground, with little chapels opening from it, furnished with benches to accommodate visitors or mourners bringing offerings. There are niches cutout to hold sarcophagi.
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Muntazah Complex
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This 115 acre complex is surrounded by great walls from the south, east and west, and with the beach on its north side. This area used to belong to the Mohamed Ali family, that ruled Egypt from the mid 19th century until 1952. The construction was started in 1892 by King Abbas II, who built a large palace inside the complex called the Salamlek. In 1932, King Fuad built a larger palace and called it the Haramlik. His son, King Farouk, built a bridge to the sea to act as a water front. The rest of the 115 acres is nothing but beautiful gardens. Palm trees and gazelles cover the area. This is a wonderful spot to enjoy the beauty ofAlexandria |
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Location :
Aswan, Egypt
Description :
The Nubia Museum harbors the history of the "Land of Gold" as the word Nubia in the Hieroglyphic, language of ancient Egypt in which pictorial symbols are used to represent meaning and sounds, means the "Land of Gold"...Hence, this land, over times, was abounding in monumental treasures.
The Nubia Museum, in Aswan, as a matter of fact, is deemed to be one of the most important Egyptian museums. A number of factors have combined together, yielding the magnificence of such museum, as it is the only unique open museum of its kind.
Preparing this museum lasted for ten years, all dedicated for hard work to come up with such lovely museum. Let alone, it stands as a wonderful model of international cultural cooperation representing in United Nations Educational, Scientific, and Cultural Organization (UNESCO).
In April 6 th, 1959, the Egyptian government appealed to the United Nations Educational, Cultural, and Scientific Organization (UNESCO), seeking help to salvage the monumental sites in Nubia, hence, the area between Aswan and the Sudan was inundated by the Nile waters especially after completing the AswanDam.
The response of the (UNESCO), in fact, came fast, as it called upon the international community to contribute to this project.
Since then, (UNESCO) has been a key player in the archaeological field in Egypt.
In no time, the executive committee, comprising representative of 15 member states, was set up, and was commissioned with studying technical, monumental and financial reports with the aim of providing the (UNESCO) with basic information required to effectively implement the project.
The (UNESCO), obviously, has contributed much to nudging the entire world to pay more attention to saving such invaluable monuments. By the end of 1975, and as a result of this relentless support on the part of the (UNESCO), the donations influx - contributed by 24 countries - amounted to $ 123304.
Unsurprisingly then that the operation of saving the Nubian monuments was described as the greatest in the history of saving monuments.
The operation, as known, included dismantling Abu Simbel Temple, inter alia, moving it to another area to be reassembled once again. Abu Simbel Temple was completely dismantled to 1036 pieces, each with average of 7 to 30 tons, as they were rebuilt on the top of the mountain overlooking the genuine spots, drawn by the ancient Egyptians 3000 years ago.
The world outcry, however, was translated into many concrete actions; donations to salvage the deteriorated-condition monuments, a number of excavation missions - which pursued their tasks in such hard conditions in areas extend 500 kilometres along the Nile banks.
A number of 40 missions have taken part in this great but difficult job, unearthing several priceless treasures dating back to pre-history times; Pharaonic, Greek, Roman, Islamic and Coptic.
Fossils, which were discovered during excavations, undoubtedly provided full knowledge about Nubian life and its development along ages.
In January, 1975, the General Egyptian Authority for Antiquities submitted a request to the (UNESCO) seeking the organisation's assistance to preserve the ancient Egyptian monuments, through establishing a city for museums harbouring a cluster of open museums with a view to displaying rare and wonderful monuments of various ages.
Being the main supporter to save the Nubian monuments, the (UNESCO) approved this request, and entrusted the executive committee, responsible for salvaging operations, with assuming the tasks of this new project. This committee was named the "The Executive Committee for the International Campaign for Establishing the International Museum of the Monuments of Nubia in Aswan, and the National Museum for Ancient Egyptian museum in Cairo".
Since February, 1981, a number of symposiums and seminars was held for contribution to this great project. It was the first time in the history of the (USECO) to decide launching an international campaign to establish local museum. This, however, could be ascribed to the magnificent monumental treasures Egypt has.
On February 4 th, 1986, the foundation stone of the museum of Nubia was laid down, playing new effective role that was derived from the spring of culture and civilization at both home and international levels.
To the Egyptians, the museum is to display life over centuries. As for foreign visitors, the museum will show the history of such unique area, as a source of knowledge for researchers from around the globe.
The International Museum of Nubia is located in Aswan on an area of 50,000 square meters, 7000 of which are excluded to building, while the rest designed to be the yard of the museum.
The building has three floors for displaying and housing, in addition to a library and information center. The largest part of the museum is occupied by the monumental pieces, reflecting phases of the development of the Nubian culture and civilization.
Three thousands pieces of antiq., representing various ages; Geological, Pharaonic, Roman, Coptic and Islamic, were registered. The open-door exhibition includes 90 rare monumental pieces, while the internal halls contain 50 invaluable pieces dating back to the pre-history times, 503 pieces belong to Pharaonic time, 52 of Coptic era, 103 of Islamic age, 140 of Nubian time, in addition to 360 pieces having the tang of Aswan.
The work in this unique edifice lasted for 11 years straight, and cost LE 60 million.
The museum of Nubia gained this unique position simply because it harbors unique monuments not in any elsewhere.
It houses the statute of Ramsis II, which was laid at the very forefront of the Museum, statute of Amenras the spiritual wife of Amen, she is of Nubian origin. It, also, has the head of the Shpatka, of the Nubian origin, made of rosy granite, head of black granite of Tahraqa, the Nubian King, whose reign during the 7th century BC was said to be full of prosperity. There is a temple of his name with gold-plated pillars.
There are, also, four mummies for nobles, which were found in Kashmatkh town in Nubia. The museum, as well, houses several models and styles of the Nubian heritage, the panorama of the Nile, depicting live image of the River Nile streaming through its banks.
There is also a model for the Nubian-style house, typically copied to mirror the nature of life in Nubia.
All pieces exhibited in the museum reflect the character of the Nubia over history and display how it merged with the Islamic civilization on one hand and the mother civilization of Egypt on the other.
So, the museum of Nubia plays vital role not only at the level of promoting Nubia to the entire world but also at the level of maintaining monuments and supporting researchers, interested in Nubia, from around the globe.
This, however could be achieved through the museum's study center and the documentation centers which publish more information on the "Land of Gold" in Egypt, the past, the present and the future.
Nubia Museum, which hosts 3000 monumental pieces of several times, ranks tenth in the list of the museums inaugurated in Egypt over the past three years. An array of important museums, however, has been inaugurated; Mohamed Nagui Museum, Modern Egyptian Art Museum, Museum of Mohamed Mahmoud Khalil and his wife, Museum of Ahmed Desouki, Port Said Museum for Modern Arts, Taha Hussein Museum, and the Mummification Museum in Luxor. |
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Roman Theater (Kom Al-Dikka)
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Over 30 years of excavation have uncovered many Roman remains including this well-preserved theatre with galleries, sections of mosaic-flooring, and marble seats for up to 800 spectators. In Ptolemaic times, this area was the Park of Pan and a pleasure garden. The theater at one point may had been roofed over to serve as an Odeon for musical performances. Inscriptions suggest that it was sometimes also used for wrestling contests. The theatre stood with thirteen semi-circular tiers of white marble that was imported from Europe. Its columns are of green marble imported from Asia Minor, and red granite imported fromAswan. The wings on either side of the stage are decorated with geometric mosaic paving. The dusty walls of the trenches, from digging in the northeast side of the Odeon, are layered with extraordinary amounts of potsherds. Going down out of the Kom, you can see the substantial arches and walls in stone, the brick of the Roman baths, and the remains of Roman houses.
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